Art

Charlottetown Transforms a Street for People

- Adam Clare

Residents of Charlottetown, P.E.I. decided to make their city nicer, more sustainable, and more fun by transforming one of their streets from car-dominated to people-friendly. They’ve made a great video showing what they did and hopefully it’ll inspire other communities to realize that streets are for people and we should use public space to celebrate the public.

People were really excited to join in on the one-day project, says one participant in the video. “People would just be walking by and like, “Oh, what’s going on?” I would tell them, “We’re transforming a street, do you want to take part?” All of a sudden, they were grabbing paint or chalk.”

Thanks to Kathryn! Who found it Huffington Post.

Edward Burtynsky: OIL

- Adam Clare

Edward Burtynsky: OIL is the photographer’s examination of how humanity uses oil through photographs. The project started as a display at the Corcoran Gallery of Art and has been translated to book form and, more recently, as an app for iPads.

I love the use of art to showcase our relationship with the commodities that we consume and Burtynsky does that quite well.

In addition to revealing the rarely-­‐seen mechanics of its manufacture, Burtynsky captures the effects of oil on our lives, depicting landscapes altered by its extraction from the earth, and by the cities and suburban sprawl generated around its use. He also addresses the coming “end of oil,” as we confront its rising cost and dwindling availability.

Bridging the disconnect between our consumer world and that of the oil industry, Burtynsky’s photographs, transfixing in their clarity, take us on a journey. Starting at the source Burtynsky shows us international drilling sites and refineries, then continues to distribution methods and the motor culture of freeways, eventually, leading us to the inevitable end of oil at scrap-­‐yards, recycling grounds and abandoned oil fields.

The Oil iPad app is well done and has the photos from the exhibition plus commentary from Burtynsky. Throughout the app he narrates some photos and provides his thoughts on how we can improve our knowledge about oil use in modern culture.

If anybody out there still thinks that oil extraction as it’s currently practised is fine for people and the environment do the world a favour and tell that person to check this out.

You maybe lucky enough to catch the exhibit in person too. The BURTYNSKY: OIL exhibition is at The Photographers’ Gallery in London May 19 – July 1, 2012. After that it travels to the Nevada Museum of Art in Reno (July 9–September 23, 2012); to the Taubman Museum in Roanoke (October 19, 2012–January 6, 2013); and to the Canadian Museum of Nature in Ottawa (June 4–September 2, 2013)

The Nicest Place on the Internet

- Adam Clare

Need a hug? Feel like the internet isn’t being nice today?

Go to the nicest place on the internet.

New Art Project Examines Humanity and Art-as-Experience

- Adam Clare

ZED.TO is an art project that is examining how people relate to one another while exploring the boundaries of art and theatre. It’s run by a small group called the Mission Business and looks like they’re going to create something downright nifty.

ZED.TO – an immersive biotech adventure from Trevor Haldenby on Vimeo.

This project is an exploration of format. We are curious about what happens when artists and strategic thinkers move outside of their own specific realms to collaborate in story making and story telling. Toronto is currently in a financial artistic crisis. Looking at the report on municipal per capita investment in the arts that just came out this week, Toronto is at the bottom of list of Canadian cities dollar investment in the arts. It’s not a secret that cities flourish when a government invests in culture. The return on investment is high when you invest in the arts. As a result of this lack of funding, the art we are creating is void of risk. The Mission Business, a new collective on the Toronto arts scene, is inevitably caught in a cycle that won’t allow us to gain from writing grants because our project doesn’t fit into any category box, and no one knows our work to be proven successfully. So we are expected to go round and round in a cycle that wants us to prove ourselves before we are supported by larger funding bodies, but we get caught because we can’t put anything up without that support. The problem here is the same as the art-making. No one wants to take a risk. For me, creating an experience that is inherently risky in format and content as well as collaboration, makes sense in a period where we are being forced to do what is considered safe. How are we expected to create change if we do the same thing over and over expecting different results? Isn’t that the definition of insanity?

To get their project running they are looking for financing through IndieGoGo, find out more at ZED.TO on IndieGogo

One Millionth Tower

- Adam Clare

One Millionth Tower is a new interactive documentary on the hyper-local level focusing on Kipling Ave. in Toronto. It’s a logical follow up to Out my Window (we’ve looked at it before) and explores how participatory urban design can change our highrise urban landscape.

The highrise re-imagined.

One Millionth Tower re-imagines a universal thread of our global urban fabric — the dilapidated highrise neighbourhood. More than one billion of us live in vertical homes, most of which are falling into disrepair. Highrise residents, together with architects, re-envision their vertical neighbourhood, and animators and web programmers bring their sketches to life in this documentary for the contemporary web browser.

The result of this unique collaboration is a lush visual story unfolding in a 3D virtual environment. Visitors explore how participatory urban design can transform spaces, places and minds.

Thanks to @katciz

Scroll To Top