UK: Uber Drivers are Employees not Individual Entrepreneurs

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Uber drivers in the UK will now get better treatment from Uber thanks to the courts ruling the company can’t as robustly exploit their drivers. The way drivers get gigs and subsequently paid by the company structurally mean the company has control all aspects of the process, which means the drivers are workers since they actually have no control over key aspects of the job. This is a blow against Uber which skirts the laws in multiple countries and this decision in the UK will resonant throughout the entire gig economy.

The court considered several elements in its judgement:

  • Uber set the fare which meant that they dictated how much drivers could earn
  • Uber set the contract terms and drivers had no say in them
  • Request for rides is constrained by Uber who can penalise drivers if they reject too many rides
  • Uber monitors a driver’s service through the star rating and has the capacity to terminate the relationship if after repeated warnings this does not improve

Looking at these and other factors, the court determined that drivers were in a position of subordination to Uber where the only way they could increase their earnings would be to work longer hours.

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The Argument to Shrink the Economy Keeps Getting Stronger

The idea that we can eventually decarbonize our economy to keep it growing has been talked about for decades; sadly we’re far away from a carbon neutral economy and even it we did achieve such an economic system we still need to shrink it. What makes a “good” economy is up to us since we create the rules and laws around economic practices. Currently we designed our economic systems to be inherently unsustainable since it’s based on growth for the sake of wealth production. Instead we can make economic systems that favour environmental protection, economic equality, or any other good idea.

Regardless, we can start making more people aware that we need to shrink, rather than grow, the economy.

Green growth, Hickel concludes, is an ecologically incoherent â€œfairy tale.” If this seems harsh, consider what the ecomodernist position asks us to believe. The current system requires annual growth of roughly 3 percent to avoid the shock of recession. This means doubling the size of the economy every 23 years. The economy of 2000 must be 20 times larger in the year 2100, and 370 times larger in the year 2200. The green growth position rests on the assumption that this can go on, basically forever, because innovation will “dematerialize” the economy. Yet 2000 was the first year that, according to experts, humanity used more energy and materials than the safe limit. And the growth economy, far from dematerializing, remains geared toward expanding future markets for extremely materials-heavy products like Tesla cybertrucks and Apple iPhones. Comparing this to a fairy tale is, if anything, too generous, since children’s stories usually involve some kind of moral lesson applicable to the real world.

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Alphabet Union Wants Alphabet to Behave

The workers behind the unionization efforts at Google are expanding to take on the whole Alphabet, the parent company of Google. They’ve formed Alpha Global to be a common voice for issues facing Google workers around the world and for people who are being negatively impacted by the actions of the Alphabet mega-corporation. If this union is like ones from a hundred years ago then all of us will benefit from the efforts to reign in the power and aspirations of a company that is practicing great overreach into all aspects of society.

“The problems at Alphabet — and created by Alphabet — are not limited to any one country, and must be addressed on a global level,” says UNI general secretary Christy Hoffman. “The movement launched by tech workers at Google and beyond is inspiring. They are using their collective muscle to not only transform their conditions of employment but also to address social issues caused by increasing concentration of corporate power.”

“The power of these global tech companies is such that they’re in every part of our lives,” says Fionnuala Ní Bhrógáin, an organizer with the Communications Workers’ Union in Ireland. “If they’re acting in this way nearly entirely unchecked by governments then there is no hold on what they can do. That power needs to be checked, and it’s only through collective action that workers are able to do that.”

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Why Just Food Matters

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Everyone needs to eat, yet even in our democracy there are people with low access to food and the food they can get is low quality. This shouldn’t be the case, so let’s do something about it! Colin Dring created the Just Food website to help educators explain and explore our food systems in Canada. The National Observor intervied Dring to find out why he created the site.

The Just Food website says the resource “brings diverse standpoints relevant to food discourses to the table.” Can you give me an example of one of those perspectives? 

Much of contemporary food system perspectives come from people in positions of privilege. Take, for example, a food bank. When we think of the food bank, we’re not necessarily thinking that people who use the food bank should have a say in the decisions or the kinds of services offered or the kinds of food provided. The dominant discourse is that people experiencing poverty should just be grateful and thankful. I think this reproduces a system that treats people like objects. So, when we talk about including diverse perspectives, we’re really talking about elevating and drawing attention to the impacts of privilege in maintaining the world as it is.

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Now is the Time to Increase Accessibility in the Arts

Making an art gallery accessible is more than providing a ramp for people to enter, an accessible art gallery ought to include accessible art. The bare minimum a gallery or performance space can do is follow the guidelines around accessible buildings (ramps, floor space, etc.). Over at Art News, Sara Reisman, executive and artistic director of the Shelley & Donald Rubin Foundation in New York, argues that 2021 should be a turning point for the art world to make the entire field accessible so more people can create and appreciate art.

During our talk, Papalia presented examples of sensory experiences that diverge from the art world’s focus on visual art and its bias toward sighted audience members so frequently referred to as “viewers.” In the past few years, he has become known for participatory performances that he describes as “nonvisual walks,” using his cane (and sometimes a megaphone or even, in the case of a special event on the High Line in New York, a marching band) to lead groups in daisy-chain-like formations that enact the kinds of interdependencies articulated in the principles of “Open Access.” Like Papalia’s approach to conversations around accessibility in general, instructions for the walks avoid medicalizing terminology and frame the experience as a function of embodiment instead.

I have participated in three such walks, and each has recalibrated my relationship to the environment and people around me. In a rural setting, I felt rocks and dips in the dirt road under my feet. In an urban landscape, I felt pavement, curbs, and the presence of vehicles in constant motion. Each time, I have experienced the world with a heightened sense of perception—and my understanding of the sensorium has been further transformed.

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