If you want to understand current anxieties about the future then all you need to do is turn to science-fiction, and historically this has been true. Sci-Fi isn’t a way to predict the future but it is a way to understand what we think about the current state of humanity. Unsurprisingly, there is so much stress about the climate crisis that enough writers have created a new subgenre called climate fiction. Cli-Fi captures the anxiety we’re collectively experiencing about the environment while also being a useful teaching tool.
Atwood has become a major figure across the cli-fi literary universe. She not only helped the term catch on when she tweeted it in 2012, but her 2013 novel MaddAddam has been a popular teaching tool which largely summarizes the need for the genre in the first place. The book tells the story of a group of environmentalists, known as the gardeners, who rebuild the world after a global pandemic. The novel shows how fragile our global systems are. “People need such stories, because however dark, a darkness with voices in it is better than a silent void,” Atwood writes. The book was part of the curriculum for a course on cli-fi at Brandeis University in 2015.
Another notable book in the genre is Omar El-Akkad’s The American War. The book was listed as required reading in a 2018 freshman-level course entitled “Narrating Climate Change” at New York University. The 2017 novel is set in America’s second civil war when southern states defy a law that outlaws the use of fossil fuels. The book is told through the lens of Sarat Chestnutt, who is from Louisiana and is displaced by the rising waters of the Mississippi River. El-Akkad shows the life of an American climate refugee.
It’s easy to fall out of the habit of reading books because of the endless entertainment options we access through our phones. This year you ought to put down your phone and pick up a book. Yes, you can read and you can read a lot! Over at Inc they compiled a quick list of reasons why reading books are good for you.
Reading fiction can help you be more open-minded and creative.
According to research conducted at the University of Toronto, study participants who read short story fiction experienced far less need for “cognitive closure” compared with counterparts who read non-fiction essays. Essentially, they tested as more open-minded, compared with the readers of essays. “Although nonfiction reading allows students to learn the subject matter, it may not always help them in thinking about it,” the authors write. “A physician may have an encyclopedic knowledge of his or her subject, but this may not prevent the physician from seizing and freezing on a diagnosis, when additional symptoms point to a different malady.”
The Asshole Survival Guide is a new book by Robert Sutton, a specialist in dealing with assholes. No, he’s not a proctologist. Sutton’s research is about what makes someone behave like a jerk and what others can do about it. He’s a psychology professor at Stanford University where they actually have a no assholes policy. If you’re dealing with a lot of jerks at work then maybe you should read his book.
Let’s get to the meat and potatoes of the book, which is about how to deal with assholes. So tell me, what’s your best asshole neutralization strategy?
First, it depends on how much power you have. And second, on how much time you’ve got. Those are the two questions that you have to answer before you can decide what to do. Assuming that you don’t have Dirty Harry power or you’re not the CEO and can’t simply fire people you don’t like, I think you have to do two things in terms of strategy.
To begin with, you’ve got to build your case. You’ve also got to build a coalition. One of my mottos is that you have to know your assholes. We already talked about temporary versus certified assholes, but another distinction that’s really important is that some people, and you mentioned this at the outset, some people are clueless assholes and don’t realize they’re jerks, but maybe they mean well.
In that situation, you can have backstage conversations, gently informing them that they’ve crossed a line. This is simple persuasive work. But if it’s somebody who is one of those Machiavellian assholes who is treating you like shit because they believe that’s how to get ahead, in that case you’ve got to get the hell out of there if you can.
Economists have focussed on just one thing for the last hundred years or so: making money. That might sound fine, but classically these economists have ignored the societal and environmental costs of their proposed money making schemes. Their willful ignorance has unleashed climate change on us all, and that’s precisely where Kate Raworth comes in. Raworth proposes that 21st century economics focusses on the inequality and lack of equilibrium in the world. Once we focus on balancing our global economic system with our global life systems will we all benefit (instead of just the rich getting richer).
Humanity’s 21st century challenge is to meet the needs of all within the means of the planet. In other words, to ensure that no one falls short on life’s essentials (from food and housing to healthcare and political voice), while ensuring that collectively we do not overshoot our pressure on Earth’s life-supporting systems, on which we fundamentally depend – such as a stable climate, fertile soils, and a protective ozone layer. The Doughnut of social and planetary boundaries is a playfully serious approach to framing that challenge, and it acts as a compass for human progress this century.
Story Wall is an art project running at the State Library of South Australia with the goal of getting more people to read. Even if people don’t read they can enjoy the library’s collection since the works are being projected on to the library itself.
“Through our conversations with the Library we were aware of things like The Treasures Wall and SA Memory and different exhibitions they had presented over time, and potential collection items that could be developed further, things like early colonial toys and donated car tyres from the Adelaide Grand Prix.
“But of course within the Library there are curators and librarians who have a deep understanding of the collections that are not of public knowledge. And we wanted to know what their ideas were, and talk about what it was going to mean for the public to hear or have those stories told in a new form,'” says Drennan.
As a result, the projections that play on the sandstone walls of the Library from sunset to midnight throughout Summer, have deep roots in South Australia’s history.