The Toronto-based band Places Erupt has put a lot of thought into the state of online discourse and decided to share their two cents. Their most recent video is all about online trolls and the disconnect between how they behave in their in person interactions compared to their online interactions. It’s a fun video and song that captures a current issue in today’s strange media climate.
“Bloggers is about the phenomenon of trolling, where people shirk away from expressing their political opinions until under the safe shield of cyber anonymity, ranting angrily online. It’s become a terrifying and unhealthy side effect of the internet, poisoning discourse and breeding hate. In the real, physical world, the troll is blah and beige, while in the cyber world, he grows into this outsized monster, breathing fire over everyone in his path.”
Disclosure: Greg O’Toole, who irregularly writes on this site, is in the band.
Oli Frost got inspired by companies earning profit from his data and decided to sell it directly to anybody who wants it. He’s downloaded all his data from Facebook (and you can too) and put it up on eBay for anyone to buy. Proceeds from the sale of his Facebook data will go to the Electronic Frontier Foundation.
Frost also created some other really neat online projects like lifefaker, a tool for Instagram, and Flopstarter, a platform for terrible ideas.
Every like, post, and inane comment since I was 16.
Photos dating back to when I had a fringe and listened to Billy Talent.
Videos dating back to when my band played gigs at kids play centres.
A list of things I’m apparently interested in, including ‘Gluten-free diet’, ‘Jessie Ware’ and ‘Project management software’.
Stats on how many happy birthdays I got, year by year.
All my friend requests that got ignored.
Every party invite I’ve ever had (all three of them).
Loads more, like who I vote for, my boss’s name, and where all my family live.
Like other art forms styles come and go in architecture; and when styles go in architecture it can result in demolition of buildings (and thus history). In Canada university and college campuses sprung up in the 60s to accommodate the influx of baby boomers so the style of these campuses reflect the style of the times. Trent University captured the Canadian architectural style the best and, unlike other schools, has embraced their buildings as a reason students should attend. Hopefully other institutions can find the value in their older buildings – even if they look “ugly” today.
Today, Trent is engaged in a careful renovation of its original Bata Library, while new projects – including a new student centre by Teeple Architects – are being guided by attention to the original campus.
In this way, a small institution is setting an example for the entire country: how to retain Canada’s modern heritage, which is both critical and in a moment of real danger.
No wonder. Thom and his talented colleagues blended careful attention to the site, beautiful materials and fine craftsmanship. The buildings, crafted by Thom’s team, including Paul Merrick, are full of complex spaces and details that echo and rhyme with one another. Walking through the original campus is a sensory feast of complexity and nuance; if you ever had the idea that modernist architecture had to be inhumane, this place will cure you of that notion. In the Great Hall at Champlain College, the buttresses and high ceiling make it seem “Hogwarts-like,” as one student told me; but the structure is a lattice of very modern concrete that weaves together skylights and wood slats.
Even the landscape, often overlooked in modern sites, has been well conceived. The pathways across campus are paved with an orange brick, which feels right under your feet.
Saving architecture through Twitter seems a little odd, yet the #SOSBrutalism movement has engendered an appreciation for an architectural style and saving buildings from demolition. Critics of brutalism describe the style as ugly and oppressive despite its rich history and beauty. As a result of the under-appreciation brutalist architecture many brutalist buildings are being demolished which is bad for the environment and bad for the history of architecture. Take a moment today and appreciate some brutalist architecture and tweet about it.
In 2015, the German Architecture Museum launched a Twitter campaign with the hashtag #SOSBrutalism to document Brutalist architecture, with a particular focus on endangered buildings: those facing possible demolition. It now has a database of more than 1,000 buildings worldwide, from carparks to hotels, union buildings to ministries, university libraries to hospitals, churches to shopping malls and from residential complexes to office blocks. Around 200 of them are in Britain.
It has united – and in some cases, triggered – campaigns to preserve these buildings. Elser says a number of heritage experts have contacted him to express their gratitude at the documentation provided in the catalogue. “It serves as proof that something is valuable,” he says.
Ultimology is a new field of thought which may help is in the future when we need it the most and don’t realize it. It’s the study of of extinct or endangered subjects, theories, and tools of learning. The Department of Ultimology is an art project that has set out to interpret what the study of dead/dying studies could look like and how it can be accomplished. It’s a groovy project that explores the fringes of knowledge with some real world examples of how very recently required knowledge for some disciplines have already been forgotten.
Knowledge of how things work is always needed and it’s good practice to keep abreast of changes in how and why we keep certain knowledge sets while discarding others.
For example, we met with Dr. Sylvia Draper, Head of the School of Chemistry at Trinity, and asked her what had changed in the discipline of Chemistry. She spoke about how glassware used to be an essential part of research. If you were a student of chemistry, you might actually design a piece of glassware that goes with your research. Draper told us that Trinity College had a glassblowing workshop on site with a glassblower named John Kelly, but that he was going to retire in two years and would not be replaced. It ties back to the commercialization of the university: the reason he’s not being replaced is because he’s salaried and a salaried employee is a high cost for the university. And so he and his work become expendable because in theory the department can just bring in cheaper, standard glassware from abroad.
However, if you’re a student and you’re planning your experiment and it requires an intricate, strange, unique piece of glass, it might now be much more expensive for you to get it, which might impact how you look at your research. You might be less willing or able to do something weirder, essentially. I picture it like these tiny little cracks that maybe can’t be explored in a discipline as people are funnelled down into a more particular standard route.