Calling all future-forward architects, urban designers, renegade planners and imaginative engineers:
Show us how you would re-invent the suburbs! What would a McMansion become if it weren’t a single-family dwelling? How could a vacant big box store be retrofitted for agriculture? What sort of design solutions can you come up with to facilitate car-free mobility, ‘burb-grown food, and local, renewable energy generation? We want to see how you’d design future-proof spaces and systems using the suburban structures of the present, from small-scale retrofits to large-scale restoration—the wilder the better!

Via Spacing.

Images tell stories that might otherwise not be heard. Nowadays, we like snapping pictures to capture our very own. We use our cameras to record life’s moments, both momentous and mundane. We cherish these photos because they allow us to recreate our personal experiences. We also seek out other types of photos, ones that evoke emotions, questions and answers. For photography to elicit this collective human experience we need professionals.

Thus, I asked nine Canadian photojournalists to take part in RESPECT, not only because they are among the best, but because of their dedication and skill in telling poignant stories through imagery. I had the privilege of working with some of Canada’s finest: Allen McInnis, Kazuyoshi Ehara, Jim Ross, John Woods, Todd Korol, Dan Riedlhuber, Jeff Bassett and Andy Clark. In 2009, a newcomer joined this select club: Chris Young, a British-born photojournalist who has worked in Canada for the past two years. Their photographs convey the essence of the Boreal Forest and the meaning of our journey.

This journey began in Quebec and took us westward through Ontario, Manitoba, Saskatchewan, Alberta, British Colombia and the Yukon between October 2006 and July 2007. We were guided by Phillip Wilmer, affectionately nicknamed Douglas the aviator, whose knowledge of the land is truly unique. Phillip is more than just the project’s pilot: he shapes the project vision, he lifts our spirits when things aren’t going so well, he embodies the passion of a forest explorer. The going was tough; we encountered many challenges before, during and after the assignment – from turbulent weather to adverse flying conditions to unexpected interruption to delays for equipment repair. While the photographers captured the forest from above, I ran interviews on the ground – discovering rich details that could later be used in photo captions. Throughout the crossing, we were constantly awed by the majestic landscapes of the Boreal Forest and its fragility; we took in breath-taking views few have had the privilege to see. We worked hard to get results and the outcome is truly outstanding.

It’s one thing to come up with a good idea, but remember, it’s even better if you try out your idea in the real world.

Need a little inspiration these days? This stirring experiential journey connects us to the core of how spiritual activists, such as Desmond Tutu and Alice Walker, find motivation to keep fighting for good despite impossible odds.

Architects have long intuited that the places we inhabit can affect our thoughts, feelings and behaviors. But now, half a century after Salk’s inspiring excursion, behavioral scien -tists are giving these hunches an empirical basis. They are unearthing tantalizing clues about how to design spaces that promote creativity, keep students focused and alert, and lead to relaxation and social intimacy. Institutions such as the Academy of Neuroscience for Architecture in San Diego are encouraging interdisciplinary research into how a planned environment influences the mind, and some architecture schools are now offering classes in introductory neuroscience.

Milk paints are virtually odorless and are made using the milk protein casein and lime. They contain no solvents, preservatives or biocides, though some do have synthetic ingredients like acrylic and vinyl. They come in powdered form and once opened or mixed with water, they should be used quickly, as they can mold if left to stand for a few weeks.

So I did some research on milk paint and found a company that is dedicated to reproducing old fashioned milk paint. From their about us:

In 1974, after much experimentation, we recreated an old Milk Paint formula to provide an authentic finish for our primary business of building reproduction furniture. Since then we have sold our paint to professionals who are either restoring original Colonial or Shaker furniture, making reproductions, or striving for an interior design look that is both authentic and beautiful. Milk Paint is now gaining an even wider usage because it contains only ingredients that are all-natural and will not harm the environment. Our authentic real milk paint is truely a “green paint” that comes in 20 colors.

I also found elsewhere a gallery of milk paint.

And here’s a video explaining how to use milk paint:

How have we missed out on milk paint on Things Are Good for so long? Anybody out there now anything more about this painting style?

walking tree man

What is it that can capture a heart and take it to a peaceful awareness instantly?

Many say, “A WALKING TREE MAN”.

The crowd is stunned. People, begin moving more slowly, breathing deeply. They seem to drop into that meditative state where we’re connected with the true reality of life.

The walking body of a tree with the mask of a man is an image that can only inspire awe in the hearts and minds of those who see view it.

This archetype, of ancient origins signifies rebirth, renewal, and life, is the image of the GREEN MAN

He symbolizes our ineffable connection with Mother Nature.

Sometimes it’s the kids who see what’s going on first. Then that brings on a frenzy of photo snapping and comments like, “That’s the best costume I’ve seen in my life!” “Absolutely incredible!” “Wow!” “Amazing!”